5/30/12
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1/22/12
Macklemore: a hip hop review?
Lifestyle Choices
On December 23, 2011, Nike released a limited amount of their newest Jordan series of sneakers and people went nuts. Reports of stabbings, gunfire and riots were heard around the country. A woman in Lithonia, GA was even arrested for locking her two toddlers in her SUV so she could be with those in line waiting for the mall to open. You might be asking yourself, why does this belong in a hip hop review? It is best explained in the words of the spoken-word-acapella-turned movie, Wings by Seattle based rapper, Macklemore,
“Look at me, look at me, I’m a cool kid
I’m an individual, yea, but I’m part of a movement
My movement told me be a consumer and I consumed it
They told me to just do it, I listened to what that swoosh said” – Macklemore, Wings
Macklemore is more than familiar with the pitfalls of the consumer lifestyle, because he experienced firsthand how an expensive pair of Nike Air Jordan sneakers is not just a pair of shoes, but an unmistakable identity that can leave a mark on any unsuspecting youth. Macklemore, says, “we are what we wear” meaning there’s a struggle, as a consumer based society, between our identities and the commodities we consume. The dichotomy of lifestyle and our lifestyle choices is a lesson Macklemore has schooled me on.
Several weeks ago, I bought two tickets to go see Macklemore and his DJ/producer, Ryan Lewis, perform at the Drunken Unicorn, but sadly, I never got to see him play. The problem was I ordered the tickets too far in advance and I had the tickets mailed to my house not knowing the concert was going to take place the weekend before finals. I should have double checked, but I was just too excited - Macklemore was coming to Atlanta! After finals week, my hasty-impulse buy left me with nothing but some exam anxiety and two useless tickets to Macklemore. Instead of just being content as a fan, I rushed to purchase the tickets weeks in advance, to prove what a loyal fan I was. In actuality, I managed to prove that I can’t appreciate the music (the commodity) before I put myself first as a person. This is a lesson I learned through the creative words and images of Macklemore’s.
A Different Breed
Macklemore is a Seattle-based rapper, but he also has some of the best music videos I’ve seen. The first Macklemore video I saw was Wings, which, if you haven’t heard of him before this, I would recommend as a great place to start.
Before the music video was made for the song, though, the song wasn’t even a song, it was a Spoken Word piece. In 2008, Zia Mohajerjasbi, the director, caught Macklemore performing Wings and approached Macklemore with the idea that, if Wings were ever to become a song, he would want to direct the video. So, the song was a video before the song was an actual song! Well, unfortunately, they had a great artistic vision, but not enough money to make the video, (as is the case with most of the arts, but I digress) so they started a fundraising campaign using Kickstarter, a do-it-yourself fundraising platform, and got 423 backers and almost double what they needed to fund the project, $18,269. The memoir style reflections of his past as a sneaker-head came to life brilliantly in the end, with Ryan Lewis’ almost film score-esque production with the beats, the stunning cinematography by Zia and the sincere lyrical confessions of Macklemore. The music video was one of the best I saw last year, and there was some unique videos in 2011, like the video for Tyler the Creator’s, Yonkers.
To you, this may be another review of a “conscious rapper”, but to me this is way more than just rap – Macklemore is a different breed of rapper. Not like the Lil’ Wayne, “I’m an Alien” type of different. I mean, he is cut from a different cloth. He understands and acknowledges what most hip hop can’t; he knows that most rappers underestimate the influence that rap has on children and he knows that most consumers of hip-hop are young white males, so he tells stories about how his drug addiction left him “depressed and emotionally vacant”; he understands that he was a product of the hip hop culture, not the other way around; he owes his allegiance to hip hop and he knows what white privilege is; he can even make an Irish Celebration anthem from a hip-hop song, or a Dance anthem in the style of an 80’s David Bowie song. He is a sage and a bard in hip hop and if you are a hip hop fan, you have got to check him out. He may even appear on XXL Mag’s Freshman list for 2011, so keep an eye on Macklemore in 2012. (Josh Pate)
1/13/12
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9/26/11
Marry Cantwell of Mount Vernon Presbyterian School in Sandy Springs, Georgia, is the director of the first Designed Thinking K-12 initiative in Atlanta, and one of the few in the country. Grown from the Mount Vernon Center for Designed Thinking the i.Design Lab is modeled after the Hasso Plattner Institute of Design at Stanford, or commonly known as d.school, wherein 21st century learners are not only encouraged to solve problems, but to define them. Cantwell has taken the d.school’s approach for designed thinking and applied it to develop her own new and unique “going D.E.E.P.” process, (Discover, Empathy, Experiment and Produce), and used this model to help students think about problems in new ways.
The program has been a success so far, beginning with the first project given to the lower school students last year, which was to design the 25th century classroom. Since then, MVCDT built that classroom and invited an Atlanta based CEO to help develop with another project in designing apps. i.Design then paired high school and lower school students together to build the apps which the students designed together, combining designed thinking and digital learning.
Melody Cannon, Language Arts teacher at MVPS has fears, though that 21st century learners unavoidable pitfall will occur as the role of technology turns into a crutch. Cannon bills digital learning not as a be all and end all.
“You need to be able to walk outside and find out what clouds are made of. Learn what a birds song sounds like,” says Cannon.
Cannon says digital learning can be a “distraction” and people are used to “googling.” Cannon believes tablets and laptops pose a threat when games and other distractions are readily available, but hand held web-driven devices such as Kindles or Nooks can transform the way educators and students interact, but criticizes them for not having e-textbooks readily available when the iPad has programs such as Inkling and Our Choice.
Doctor Hite, 9th grade World History teacher at MVPS believes that there is a gap in understanding how digital learning is done though.
“There’s a common misconception that young people understand technology right off the bat… that old people don’t know how to use technology,“ says Hite.
Hite believes learning how to use a laptop in the classroom is no different than learning the fundamentals of note taking.
Hite says, “A pen and a pad don’t make you a good writer” and the same can be applied to digital learning since, “just because you have a blog doesn’t mean you can write well.”
Technology is a tool, but without the proper training it’s useless, however Hite asserts technology’s ability to aid student’s organization skills, general performance and output in school is boundless.
The outlook of 21st century learners rely on innovative processes much like Kennesaw, Georgia based iSchool Initiative. iSchool, founded by Kennesaw State University student Travis Allen, aims to empower students through revolutionizing the way we learn using all technology. The iSchool Initiative has gathered that buying an iPad can save money versus total costs of textbooks etc. in the long run and predicated that within the next 10 years, textbooks will be gone from the classroom. From Designed Thinking to Digital Learning, It is the voice of Allen’s and every other 21st century learner that will shape the way we learn in the future.
Allen says, “Technology is compared to Oxygen, ubiquitous and invisible,” and much like learning it’s all around us, but it isn’t until we start to think about the way we learn that change occurs.
9/8/11
Music for the Soul//Delta Rae
Reynolds Price once said that we can survive without some of the most basic things such as love, shelter, or food and water for at least a little while - but we can not survive without telling stories. There are talented artists that have not gotten the chance to share their stories, but in the case of the young men and women in Delta Rae, their talent is giving them the opportunity to do just that. Ian Holljes who apprenticed under Price, managed to pull a group together to develop a musical project called Delta Rae a 6 piece Alt-Pop group. Delta Rae was named after a classically influenced novel about a southern girl who summons a Greek God, so the Greek Pantheon and literature is as integrated into Delta Rae as the time signature on their sheet music or the pitch of their instruments. The connection to such humanistic qualities suggests that Delta Rae is not any ordinary group of harmonizers. In the Greek fashion, they are a group brought together by the forces of the Muse.
A note on "The Muse": The idea that 'the muse' is the source for creative inspiration has been around since before the Hellenic period. Plato’s myth about the cicada says when the Muses were born, men never stopped singing, not even to eat or drink. Eventually, they sang until their deaths, but from them, the tribe of locusts arose. Being granted a gift from the muses, the locusts were able to sing continually without the need of food, water, or basic sustenance on one condition - they were to report back to the Muses who honored them the most.
Plato's myth is grounded in the long standing belief that the muse and human being are firmly tied together in creative indulgences. Indeed, the muse has had an impact on our society and can be explicitly seen, for example, in the etymology of the everyday words “music”, “museum”, or “mosaic.” Though, in Greek, music means a lot more than it does in English. In Plato’s Dialouge of Phaedo, Plato represents music as anything that relates to the mind. Plato puts a premium on the the intellectual worth of music by arguing that education should begin with “music for the soul.” Not only that, Plato claims that “music ought to end in the love of the beautiful," and Delta Rae's muse has an affinity for this abstract conscientiousness.
Delta Rae is composed of three siblings and three close friends. Ian Holljes, Eric Holljes, and Brittany Holljes moved from Cobb County, Georgia in 1996 to San Rafael, California where they met Elizabeth Hopkins as grade school students. As a sophomore in high school, Brittany decided to fast track to Berkely and while her brothers got their high school diploma’s she graduated Berkely at 19. In 2003, the Holljes brothers moved to Durham, North Carolina to attend Duke University where they began campus band, “Running Lights.” By the time of their graduation in 2007, Eric had met and begun writing with Mike Posner, which resulted in the song “Cooler than Me” being written, Posner’s 2010 #6 Billboard and double Platinum record. Ian, though, was the driving force and inspiration to get a practicing band started.
As the last of a total 25 caretakers, Ian apprenticed under terminally ill Pulitzer Prize Nominee, Reynolds Price who was treated for a malignant spinal tumor with radiation therapy which left him paralyzed from the waist down. Ian looked after Price in exchange for his own space and time to write alone, which is when Ian began writing songs. Ian saved enough money from his fellowship with Price to buy a house out in the secluded woods of North Carolina with his two other siblings and close friend Elizabeth, where they could live together and make music at all times of the night and day.
In September of 2009, Delta Rae played their first rehearsal in the secluded woods of North Carolina. Less than a year later their first EP was release. Mike Mckee and Grant Emerson added a rhythm section to the 4 part vocal ensemble shortly after. Then, in a two month period, the band was able to raise 28,000 dollars to produce their first full length album through an online fundraising campaign via Kickstarter. Soon thereafter, the band went on the road and even stopped by my home city Atlanta for Project 99x: Unplugged in the Park at the Park Tavern with Carbon Leaf.
The muses have bonded Delta Rae together - allowing the members to grow organically. Cultivated for no one genre, pulled together from across the country and planted in one house in the smoky hills of North Carolina, the grassroots efforts of Delta Rae has yielded a genuine sense of intimacy with their fans. Spreading like pollen from a dogwood, the group is traveling across the country and even performing on quaint national talk radio shows. Reaching deeper and deeper for the seed that will grow into a reckoning musical force, nurturing the ebbing bud of their skill, they've shown a quite a bit of range, so far. Delta Rae’s four vocalists Ian, Eric, Brittany and Elizabeth can harmonize in any fashion: as a group, solo, all at once or none at all - so expansive they even act as the percussion sometimes. Delta Rae has captured audiences with a religious gospel, “Down by the River”, to a cover of Kanye West’s, “All of the Lights.” The season is coming for Delta Rae's crop of music to flourish. Ian says “all good music transcends boundaries” and it’s certainly clear here that Delta Rae does not fit easily into one field. Delta Rae is “a hell of a lot of Harmony,” Ian said, but they are not just that, they are also passion. Talented passion bred within a nursery of music for the soul.
8/10/11
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